Ferran Adrià’s legendary restaurant El Bulli defined modernist cuisine. The restaurant had an undeniable influence on haute cuisine trends both in Spain and across the globe. For 13 years, its wine programme was led by sommelier Ferran Centelles. Ferran continues to work with Adrià at the elBullifoundation, a creativity centre of culinary and wine-focused scholarship that was created in 2011 after the restaurant’s closure.  

“The couple at number 12 wants to see you,” my assistant told me, returning from what I immediately knew was going to reveal itself as a tricky table to please. At the time, I was managing the wine list of a charming modern-British restaurant with rooms in the New Forest, a fairytale-like national park about two hours’ drive southwest of London. The gentleman at number 12 couldn’t believe how a young waiter, wearing a bright pink shirt and a denim tie, could possibly offer him proper guidance on a wine list boasting over 400 entries.  

Earlier last month, I ran my first webinar for Wine Scholar Guild (WSG) — an overview of what it means to be a wine journalist and what it takes to turn this into a viable and successful career choice. Ahead of a series of stories I’m going to be regularly writing for the blog and a brand-new podcast due to launch later this year (more on this further down), the webinar’s topic was the ideal means to introduce myself to the WSG audience.